Theme of Prince to the Familiesif Ever You Disturb the Peace Again
SCENE Summaries With Notes
PROLOGUE
Summary
In old English drama, the prologue made the audience enlightened of the nature of the play earlier it began. The prologue to this play discloses the differences between the Capulets and Montagues, the two important families of Verona, and the role of fate in bringing them together in the cease. The Prologue then tells that the children of these two warring families innocently become victims of the conflict; they fall in honey, ally secretly, and impale themselves in order to be together in eternity since they feel they cannot exist together in Verona. The Prologue states, in sonnet form, that the story of their ill-blighted, death-marked love is the theme of the play.
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Deed I, SCENE 1
Summary
Human activity I begins with the servants of the two households carrying on the enmity of their masters. Samson and Gregory, the Capulet servants, and Abraham and Balthazar, the Montague servants, start a sword fight in a public foursquare in Verona for no real purpose. Benvolio, a nephew of the Montagues and also a good friend and cousin to Romeo, intervenes and stops the fight. Then Tybalt, a Capulet, arrives on the scene. When he notices a sword in Benvolio'southward paw, Tybalt challenges him to a duel. When the former refuses, Tybalt declares that he hates all the Montagues. A crowd, which has gathered, now starts fighting with each other.
Hearing the racket, the heads of both the families, accompanied past their wives, arrive on the scene. So does Prince Escalus, who angrily orders the crowd to throw downwardly their weapons and cease the fighting. The Prince accuses the lords of the two families for being the cause of such outbreaks and warns, "If e'er you lot disturb our streets again, your lives shall pay forfeit of the peace," words that foreshadow the climax of the play. Lord Capulet and Lord Montague do non pay with their ain lives, but their children die as an indirect upshot of the age-erstwhile conflict.
Lady Montague, happy that Romeo has not been a part of the brawl, asks Benvolio about her son'due south whereabouts. Benvolio answers that he has seen Romeo sighing and weeping earlier in the morning and feels that he definitely has some serious problems. As Benvolio speaks, Romeo approaches them. When questioned about his behavior, Romeo discloses that he is in beloved with a adult female who does not honey him. The young romantic then goes on to describe his beloved for the most beautiful woman he has ever seen. Unfortunately, she seems to have the mind of the goddess Diana, scorning love and swearing to remain single. Benvolio suggests that Romeo forget the girl, merely Romeo states he cannot.
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Notes
The kickoff scene begins with unimportant characters, but it is lively and immediately captures the attention of the audience. Servants in brightly colored Renaissance dress brainstorm fighting, and the stage is of a sudden filled with activity and the sounds of hit swords. The purpose of the street ball is to visibly testify the animosity that exists between the house of the Capulets and the house of the Montagues, not just at the highest levels, only all the way down to the servants who are fighting. More important characters soon begin to go far on stage. Benvolio, a Montegue, comes in equally a peacemaker and tries to cease the fighting. Tybalt, a Capulet, enters with temper flaring and challenges Benvolio to a fight. Lord Capulet and Lord Montague arrive and are ready to enter the brawl if necessary in spite of their advanced age and nobility. This is no ordinary quarrel, but a long-standing feud based on familial history and bitter hatred. The Prince of Verona, Escalus, knows the disharmonize has greatly affected his fine city and wants it stopped. When he hears the noise of the fighting, he comes on the scene and threatens punishment if peace is not reached.
Romeo has not taken part in the brawl, simply wanders on the stage after the fighting has ceased. He is a handsome, idealistic, and romantic youth who is in love. He tells Benvolio of his deep feelings for a cute immature lady (later identified equally Rosaline). He seems to worship her, but it is from afar, for she is aloof and does non return his love. As a consequence, Romeo moons about, feeling very melancholy. Shakespeare places this scene at the beginning of the play in order to prove the romantic character of his hero; the scene will also be assorted later in the play when Romeo reacts to Juliet in a very different manner. He thinks he loves Rosaline; he truly loves Juliet.
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Act I, SCENE 2
Paris, a immature nobleman and kinsman of the Prince, asks Lord Capulet for Juliet's mitt in marriage. At first the begetter tells Paris that his daughter, at age xiv, is as well young, only later agrees to the marriage if the idea pleases Juliet. He advises Paris to woo her and win her dear. Capulet then invites Paris to a feast that he is hosting the same night (the same Sunday that the brawl took place earlier). Juliet, too every bit all the Capulet beauties of Verona, volition be present.
Capulet then sends his servant off with a list of the guests to invite to the party. The servant goes out to accomplish his task, but he is illiterate and cannot read the list of names. When he sees Romeo and Benvolio, the servant asks them to read the list to him. It includes Rosaline's name; Romeo's supposed lady honey. Romeo and Benvolio then discover out where the party is to be held and decide to attend since it is a masked affair. Romeo, of course, hopes to come across Rosaline there. Benvolio hopes that Romeo volition see another beauty, who will take his friend's mind off Rosaline.
Notes
In this brief scene, the audience learns more about Juliet, the heroine of the play who has not withal been introduced on the stage. She is young girl of fourteen and manifestly Capulet'due south pride and joy. The father says of Juliet that "the world has swallowed all hopes only she." When Paris asks Capulet for her paw in spousal relationship, he hesitates at first; then he says that he volition agree if the idea pleases Juliet. In the thirteenth century, when noble marriages were usually arranged by the family, it is a loving father who wants to please his child. His concern for Juliet is similar to the concern for Romeo revealed by Lady Montague in the first scene. Even though these families hate one another, they dearly love their children.
Paris is introduced for the time in this scene. He is formal and peaceful, following all the rules as he consults Capulet about his interest in marrying Juliet. Different Romeo's infatuation with Rosaline, Paris's attraction to Juliet seems low-keyed and practical. His protocol in approaching Juliet with the father'southward permission is in sharp contrast to Romeo's afterwards arroyo to Juliet, commencement every bit a masked party crasher and then every bit an impassioned lover in the garden.
The role of fate will exist very important throughout the play, and fate begins to piece of work in this chapter. The illiterate Capulet servant just happens to see Romeo and Benvolio and asks them to read the list of guests invited to the Capulet feast. If he had not been illiterate and needed the help of a Montague, he never would take spoken to Romeo. If this coming together had non taken place, Romeo would never take known of the political party. If Rosaline's name had non been on the guest list, Romeo would take had no involvement in attending the party. If it had not been a masked thing, Romeo would never take been able to go into the home of the Capulets. If he had not been at the party, Romeo would not accept met Juliet and fallen in love with her. Fate is plainly pulling Romeo and Juliet together.
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